Tag Archives: Mineral

Frank Turner Discusses Opening For Mineral, Musical Influences, and Which Band He Would Love to See Live

by Vasilis

FrankTurnerReadingSunPA280811.gallery

Many music fans have a hard time picturing their favorite musicians as music fans themselves. We tend to put these artists on a pedestal and imagine them as rock stars who are above the sort of idol worship that we often demonstrate. However, contrary to that belief, these musicians are no different than us; they love the art of music and grew up admiring a wide ranger of musicians who often became the foundation which helped inspire them to create their music. That feeling doesn’t just go away once a musician becomes popular or well-known. It’s this beautiful cycle that allows the music we connect with so deeply to be created, to continue to influence future musicians who create music that influences a whole new generation, and it’s a wonderful thing to watch. Frank Turner is a musicians who completely shatters the false belief of musicians as being above the fans. Frank conducts himself in a very honest and open manner with his audience; he is just a guy who makes music for a living, one who builds a strong connection with his fans through his lyrics and approachable personality.

Frank is also not one to shy away from the music that inspired him. At shows, he can often be heard covering anyone from Blink-182 to Bruce Springsteen (his “Thunder Road” cover is a staple at his New York City shows). Frank has also made it known that he is a huge fan of 90’s emo group Mineral, whom he described as one of his very “favourite, foundational bands”. When Mineral announced their reunion tour earlier this year, Frank did what any fan would do when presented with a rare opportunity to see such an influential, once-dead band: he bought tickets to their New York City performances and planned a trip without a moment’s hesitation. I was instantly fascinated by his own connection to the band and found it refreshing to see one of my favorite musicians speak so highly of one of his and demonstrate such unbridled passion for their work.

On top of flying out to New York City to catch some of their shows (their first full tour in 17 years), Frank also opened for the first of show. We reached out to Frank Turner via email to ask him about his experience opening up for Mineral last Thursday at St. Vitus Bar in Brooklyn. Frank was kind enough to answer our questions and provide some insight into his experience, some of his other big influences, and which band he would love to see live if given the opportunity. You can check out a full review of the show on Noisey’s blog, as well as Frank’s first-hand experience of the show.

Lyrically Addicted: Thank you for talking the time to speak with us Frank. You called Mineral’s sophomore (and final) album EndSerenading “near-perfect” on Noisey’s blog. Was there any one particular song on that album (or by the band in general) that made you go “wow” on first listen or that really made you connect so strongly with their work?

Frank Turner: Yes, the song “&Serenading”. I remember being a little confused by the record at first (I was about 16), but when that song kicked in, with the chorus line about symphonies in seashells, I was pretty blown away. Once the ice cracked like that, I fell for the rest of the record very quickly.

LA: You had the unique opportunity of opening for a band that meant so much to you on their reunion tour. Can you briefly describe what the experience was like and why you decided to play a set of new songs.

Frank: It was a great experience, one for the obituary. I was pretty jet-lagged and had a nasty cold, so perhaps not on my best form, but I enjoyed the expeirence. I thought I’d play new stuff because I’m working on a new record right now and no one bought tickets to see me play, so it seemed like a good opportunity to try some new stuff out in a live setting.

LA: Was there any particular aspect of Mineral’s music (lyrics, guitar tones, etc.) that really influenced your current sound?

Frank: The whole way Chris [Simpson] sings and writes is a huge influence to me now – the way he uses his voice, both in the physical sense and int he literary sense. I still think that’s probably the biggest influence on me in that area. I also love the production on the second record, I think Mark Trombino’s drum sounds are pretty foundational.

LA: Are there any other bands from the mid-90’s emo era that influenced your music?

Frank: I listened to a bunch of that stuff – Jimmy Eat Wrold, The Promise Ring, Christie front Drive, and so on. Mineral were far and away my favorite of the bunch, but I still listened to a fair amount of Jimmy Eat World.

LA: If you could attend a hypothetical reunion tour for one “dead” band you never had the chance to see live, who would it be?

Frank: Nirvana, circa early 1993.

Thank you to Frank Turner for taking the time to answer our questions. You can catch Frank Turner on the road with Koo Koo Kangaroo in the UK starting Thursday, September 11 in Norwich. For a full list of Frank’s tour dates, go to frank-turner.com/live-gigs. Frank Turner is expected to release his upcoming sixth studio record in early 2015. Mineral continue their reunion tour, which ends in Austin Texas in November, before hitting the United Kingdom in early 2015. You can also check out a full review of Mineral’s Bowery Ballroom show in New York City on our blog.

Leave a comment

Filed under editorial, interview, Vasilis

Mineral and Into It. Over It. at Bowery Ballroom, 9-06-14

by Vasilis

The past and the present collided on Saturday, September 6th at New York’s Bowery Ballroom for a reunion tour that showcased the best the genre has to offer. Seminal emo group Mineral took their reunion to New York for the third of four straight nights of nostalgia, bringing along with them Evan Weiss’ emo revivalist project Into It. Over It. Mineral, who broke up in 1997 after releasing only two albums, announced their comeback in April to celebrate the 20-year anniversary of their formation. Along with a full U.S. tour to celebrate their first shows in 17 years, the band also announced Mineral – 1994-1998: The Complete Collection, containing both their albums along with some bonus tracks and recordings to mark the occasion.

Into It. Over It. strolled to the stage at 9pm to open the show. Evan, who used to perform with nothing more than a stool and acoustic guitar, has built Into It. Over It. into a four-piece band over the past two years with the help of some hometown musician friends. Following a headlining tour earlier this year with A Great Big Pile of Leaves and a supporting tour last year with Saves the Day, the band appears more comfortable with each performance, and playing the songs with full instrumentation has allowed Evan’s songs to come to life and take on a new level of energy. Songs like opening track “Embracing Facts” and “Upstate Blues” are particularly more vibrant thanks to the addition of a full backing band as opposed to a lone acoustic guitar.

DSCN7019

Evan’s exhibited a refreshingly self-aware attitude, announcing to the crowd “Thank you to Mineral for allowing us to come on tour and bum you guys out.” The band’s emo roots felt at home on this tour, and Evan seemed to appreciate the opportunity and embrace it fully, performing some sadder tunes (“No Amount of Sound”, “22 Syllables”). The band made sure to sprinkle in the high-energy “Discretion & Depressing People” and “Brenham, TX”, which Evan added to switch up the setlist for fans attending more than one night. The group was joined on-stage by Matt Fazzi (A Great Big Pile of Leaves, Ex-Taking Back Sunday) to perform keys on some new songs and to close the set with fan-favorite “Midnight: Carroll Street”. Into It. Over It. received a warm reaction from the crowd and proved the perfect opener for this type of show.

DSCN7024

Into It. Over It. Setlist:
Embracing Facts
Staring at the Ceiling
Upstate Blues
No Amount of Sound
Spinning Thread
Obsessive Compulsive Distraction
Discretion & Depressing People
Brenham, TX
22 Syllables
Wearing White
Midnight: Carroll Street

Mineral, the main attraction of the night, took the stage a little after 10pm to a raucous ovation. Vocalist/guitarist Chris Simpson playfully stated, “Tonight, we’re gonna party like it’s 1995” and truer words have never been spoke. This tour is the culmination of a wave of nostalgia which has brought about a heightened demand for emo bands from American Football to Texas is the Reason to Mineral. While these influential bands were popular in their day, the emo resurgence has allowed a younger generation to discover these bands, which existed and made their name in the mid-to-late 90’s.

DSCN7034

Though the band just played their first show in 17 years, they sounded great and inspired the crowd to fold their arms, nod their heads, and sing along (as Evan Weisshumorously noted during his set as being the proper action to take at an emo show). Their on-stage set-up was simple and lacking any flashy lights or colorful backdrops, focusing instead on four men pouring their heart into the music. With only two albums to choose from, the group presented a balanced mix of their heavier debut album The Power of Failing with their more emotional and slowed-down EndSerenading. Chris Simpson’s classic crooning was in top form, bringing the emotional weight of “Five, Eight, & Ten” and “February” out. The audience sang along to fan-favorites like “Gloria” and “&Serenading” as if they had been waiting their whole life to experience it. While the band members didn’t seem to exude much camaraderie as is seen during some reunion tours (turmoil while recording EndSerenading led to the break up), they all seemed genuinely happy to be playing music again and gave the audience a solid 90-minute trip down memory lane.

DSCN7032

The term “emo revival” is often met with scorn from older fans, finding the idea that emo went away laughable while condemning newer bands as not worthy. But what’s clear is that there is a demand for emo bands reviving. With new music from Sunny Day Real Estate, an upcoming sold-out reunion tour from American Football, and more Mineral shows in America and Europe coming for Mineral, it’s safe to say the emo resurgence continues to find an audience in older people who experienced it as it happened and younger kids who are experiencing the revival now and want to get a first-hand look at the bands who influenced the fresh wave of up-and-comers. On a night like this, it was clear that there is no competition between old and new, they can each exist in perfect harmony and compliment each other nicely.

Mineral Setlist:
Five, Eight, & Ten
Gloria
Slower
February
M.D.
ALetter
ForIvadell
SoundsLikeSunday
Unfinished
If I Could
WakingToWinter
&Serenading
LoveLetterTypeWriter (encore)
Palisade (encore)
Parking Lot (encore)

Leave a comment

Filed under show review, Vasilis

Band Reunions: Is The Craze Here To Stay?

By Vasilis

Image

As passionate music fans, there are few things we dread more than the announcement that one of our favorite bands is calling it quits. It is a not-so-subtle reminder that nothing lasts forever and a moment that brings both sadness and reflection. Break-ups in the music world, like in real life, come in all shapes and sizes: there are bitter conflict-filled break-ups, friendly mutual break-ups, and some from bands that just agree their music has run its course and decide to go out on top. Some come as a surprise while others blindside the music world. There is usually a message thanking the fans before the band fades out and leaves everyone to ask “what’s next” for the members and this can often lead to discussions of the music’s legacy and place in history.

It’s only natural that music fans tend to experience the five stages of grief (denial, anger, bargaining, depression, acceptance) following a split. Bands can feel like a part of our family and some have profound emotional effects on us. Knowing that you will never get to hear a new song or see that band live is a painful realization that slowly dulls over time. However, the acceptance stage is quickly becoming a thing of the past as more and more bands are turning to reunions. As a result, fans have begun treating a hiatus or a break-up as a mere inconvenience that they will have to endure for a short period of time until the band decides, for whatever reason, to come back. Reunions can come about because of a genuine desire to recapture past glory, a yearning to reconnect with fans, or, more cynically, a desire to cash in on past success and a reemergence of the group’s status with fans. However, fans rarely care and are just happy to have their favorite bands back in their lives again.

The scene has been a hotbed of reunions as of late, as groups like Yellowcard, The Starting Line, The Get Up Kids, The Early November, and countless others have “gotten the band back together” to celebrate the anniversary of a classic album, release new material, or go on a short tour before returning back to the ranks of the broken up. Many of these bands announced their break-ups within the past half-decade, and the term “hiatus” has been used more prevalently to soften the blow and leave the door open for a return. The two biggest reunions belong to Blink-182 and Fall Out Boy, bands many believed were done for good. While not every reunion has been celebrated or met with unbridled enthusiasm, the comebacks have been treated well by fans and have shown other groups that an official break-up announcement doesn’t have to be the end and has only served to encourage bands to reform.

Image

This year has already seen its fair share of unlikely reunions. Pop punk favorites Midtown announced they would be performing at this year’s Skate & Surf Festival, their first show since calling it quits in 2005. Following the success of Cobra Starship, many figured Gabe Saporta would have no interest in reuniting his old band (in which he played bass and sang). Outkast, the hip hop duo behind the hit song “Hey Ya”, has made their way around various festivals as part of their much-publicized reunion. Strangest of all is the unusual Nirvana Brooklyn performances, in celebration of the group’s 2014 induction into the Rock and Roll Hall of Fame, which featured Dave Grohl, Krist Novoselic, Pat Smear, and an assortment of guest vocalists, including Joan Jett and Lorde, stepping in for the late Kurt Cobain.

Then this week, influential emo bands American Football and Mineral announced their respective reunions. American Football released their self-titled EP and LP in 1999, their only recorded pieces of music, but their plans to re-release their music in a 2xLP collection set through Polyvynl Records led the band to announce shows in Chicago and New York City. Following this announcing, Mineral, who released their albums in 1997 and 1998 and have not played a show in 17 years, announced a short tour with emo band Into It. Over It. Their reunions were met with intense interest despite the long time away. These announcements give fans who were not old enough in the 90’s a chance to see a band they never thought they would be able to and can even lead to new songs or old recordings being uncovered and released.

Still, it’s fair to ask “is a reunion really necessary”. Can a reunion actually harm a band’s legacy? A failed return with bad songs or weak, uninspired performances can taint the image a band may have previously held. American Football has always been the musical version of “Freaks & Geeks” to me. Their one album, like the cult classic’s beloved lone season, felt like a moment in time that was pure because it never went stale and never overstayed its welcome. Without a second season, Freaks & Geeks never had the opportunity to go downhill or ruin the greatness of its first season. American Football’s legacy has remained pristine because their Self-Titled album has built their legacy and kept it going. The constant fear is that successful shows may lead to new music that will seem more like a cash-grab than a genuine, inspired collection of music.

After so much time apart, it’s also fair to question how much the break has affected the group’s chemistry and how the band’s music has held up. Reunions can serve as a good litmus test to see where the music actually stands. While some choose to look down at reunions and criticize bands who don’t know when to say when, the facts show that reunions are generally pretty successful. Midtown and Outkast’s festival reunions have both been met with positivity, while both American Football and Mineral sold out their shows so quickly they had to resort to adding more. The New York City Saturday show and subsequent Friday show crashed Ticketweb because of the volume of visitors, causing a social media uproar and leading many frustrated fans to lament losing out on this once-in-a-lifetime opportunity. The band went on to add a third Webster Hall show that Sunday, meaning that the band will have sold over 4,200 tickets when all is said and done.

The reunion craze has been booming because nostalgia is in such high demand. Now more than ever, we are engulfed by nostalgia, and bands are seizing the opportunity and they themselves are being subjected to these memories of the great times they with their bands. What ultimately attracts us to reunions is that they transport us back in time and elicit powerful memories. By going to see a band like Blink-182 perform, we remember that feeling of listening to them in the early 90’s and early 2000’s (whether you were in middle school, high school, or college) and it brings back these feelings. And this is not unique to the punk scene; classic rock legends like Led Zeppelin and Van Halen reunited in the 2000’s after over 20 years apart to play shows. Boy bands like Backstreet Boys and New Kids on the Block have gone on reunion tours, while N Sync and Destiny’s Child have taken the stage briefly to perform together. With so many groups nobody ever saw getting back together now reuniting, the possibilities are endless. Beloved broken up bands from Jawbreaker to Husker Du to The Replacements to The Smiths (though Morrissey has rejected this notion entirely) may one day perform again.

Reunions are never going to please everybody. For every fan that is thrilled to see their favorite group reform, there’s one that wants to remember the band for what they are and avoid seeing them tarnish their legacy. So the question to be asked is: when is enough enough? Is it okay for a band that has been gone for three or four years to come back? Should a band that’s been gone for more than 10 years stay away to preserve their legacy? In the case of American Football and Mineral, we won’t know the answer until they play their shows. But one thing is for sure: the reunion craze is not going away. For better or for worse, they remain extremely profitable and a big hit among fans. While some remain critical, crowds come out in droves, buy the new and the old albums, and celebrate the return of their favorite band. The great thing is that those who are happy to see the band reunite can embrace it, while the more jaded fan who wishes those bands stayed away can just ignore it and live in ignorant bliss while holding on to their memories. In this scenario, it’s a win-win for everyone, so there’s no harm in a band wanting to take a stroll down memory lane as long as they do it right.

Leave a comment

Filed under editorial