5. The Return of Justin Timberlake
I am not much of a fan of Justin Timberlake’s music, although he is hilarious and I appreciate how talented he is. However, to deny how big his return to music was would be extremely naïve. After stepping away from the music game to focus on his acting, the pop star returned with no warning and defined the pop music landscape by releasing two albums that set the bar high in terms of sale and performance. Additionally, his song “Suit & Tie” was everywhere, from beer commercials to sporting events to late night shows, and “Mirrors” followed suit with big-time radio play. To top it off, his collaboration with hip hop mogul Jay-Z “Suit & Tie” and “Holy Grail” and their collaboration on their summer stadium tour made waves and sold incredibly well, even selling out two Yankee Stadium shows. The subsequent solo headlining tour he embarked was also a huge success, and with another headlining tour taking place early next year, it’s safe to say Justin Timberlake’s return to music is nowhere near finished.
While Justin Timberlake’s return was flashier, Fall Out Boy’s meant more to me. After attending their “final” show at Madison Square Garden supporting Blink-182 in 2009, I was not sure I’d ever see them back together again. Whispers began early on that the band should and would reunite to honor the 10-year anniversary of their beloved pop punk masterpiece Take This To Your Grave, but the band’s members vehemently denied any plans, even up to a day before the announcement. Then, with one simple post, the pop punk world turned upside down: Not only was Fall Out Boy back, but they already had a new album recorded, a new single to release, three small club shows planned for Chicago, New York, and Los Angeles, and a small venue tour set for the spring. The most startling aspect of the return was the band doing everything under complete cover of darkness; no news leaked during the process, making the announcement that much more startling. With their new album Save Rock and Roll and the image of the band burning Take This To Your Grave, it was clear they had no interest of returning to their pop punk roots to appease fans, instead recording the album they wanted to. Their first single “My Songs Know What You Did In the Dark (Light ‘Em Up)” was hugely successful and led to various television and festival performances, showing the group’s propensity for writing hook-soaked pop/rock tunes had only improved and their name was bigger than ever. 2013 was a year of returns and exits in music, but the biggest for me was the re-emergence of Fall Out Boy.
3. Parting is Such Sweet Sorrow
With every happy return came a sad goodbye in 2013, which featured some of my favorite members leaving or being forced out of some of my favorite bands. Tony Thaxton, citing the need to step away from life on the road, quit his role as Motion City Soundtrack drummer after being with the band since their debut 2003 album I Am the Movie. Even more startling was the announcement that founding Sum 41 member and drummer Steve Jocz was departing after 17 years, leaving vocalist Deryck Whibley the only remaining founding member. While people have speculated that Deryck’s potential substance abuse problems and the constant show cancellations were the cause, Jocz gave no further reason. Rounding out the drummers was the announcement that Say Anything drummer Coby Linder was departing, leaving singer-songwriter Max Bemis as the group’s only non-live member (I’m cheating a bit on this one, as Coby made the announcement on December 29, 2012). On the ska side, trombonist Dan Regan left Reel Big Fish after a startling 20 years with the band, leaving singer/guitarist and group founder Aaron Barrett as the only member who has been with the band since the ‘90s. Finally, the news recently came out that New Found Glory had essentially kicked out backing guitarist and primary lyricist Steve Klein, sending ripples through the pop punk community and causing people to question the band’s motives and wonder about any potential schism between them. The band was known as a tight-knit group of friends, having had the same lineup since forming in 1997. This, paired with the fact that the split did not seem mutual, make this the most shocking of all.
2. The Fall of Ian Watkins
Cherie and I have said all we could about this story in our post, but this story completely changed the face of the rock world in 2013. The details were so horrifying, so disturbing that it made people wonder aloud how any man could think these actions up and caused people to completely discard the entire band’s catalog. The world of music is full of heroes and villains, but Ian Watkins arose as the most universally hated figure; people cursed his existence and wished him hell in his jail cell. In a strange way, the story united many music fans from all over in their contempt and hate for Ian Watkins. While the story has recently begun winding down with his guilty plea, the shock of this story has still not completely worn off.
1. Happy Ten-iversary!
Strangely enough, the thing I will remember most about 2013 was how incredible 2003 was. No year defined “the scene” (meaning the world of pop punk, emo, alternative, pop/rock, etc.) more than 2003; the sheer amount of ground-breaking, life-changing albums that came out that year is unrivaled, and the bands showed their appreciation by going on a run of 10-year anniversary tours. Yellowcard paid homage to Ocean Avenue with a recorded rendition of the album and an acoustic tour, Story of the Year honored Page Avenue by performing it in its entirety on the “Scream it Like You Mean It” tour, Finch toured for What It Is To Burn, The Early November announced two special December shows in Philadelphia and New York to perform The Room’s Too Cold, Death Cab For Cutie played Transatlanticism on a short run of dates earlier this year and Blink-182 performed Blink-182 at a 5-show Los Angeles residency. Well-known Long Island recluses Brand New even shocked fans by performing the genre-defining Deja Entendu on a short run of dates earlier this year. On top of that, both New Found Glory and Taking Back Sunday continued their 2012 run of ten-year tours for Sticks and Stones and Tell All Your Friends, respectively. All that nostalgic firepower doesn’t even include Thrice (The Artist in the Ambulance), Thursday (War all the Time), AFI (Sing the Sorrow), Fall Out Boy (Take This To Your Grave), The Format (Interventions and Lullabies), Matchbook Romance (Stories and Alibis), Something Corporate (North), Coheed and Cambria (In Keeping Secrets…), The Ataris (So Long Astoria), MxPx (Before Everything and After), Less than Jake (Anthem), The Postal Service (Give Up), Saves the Day (In Reverie), and… well, you get the picture. I even ended up leaving a bunch of albums off this list that also came from the scene. Looking back at 2003 through the nostalgia-filled 2013 glasses, I came to realize how many bands helped shape the current genre that I love, and even though at the time I didn’t pay attention it made me that much more grateful that these bands and albums exist.