Tag Archives: frank turner

Best of 2015

by Cherie

When it comes time to compile my favorite albums at the end of this year I always have a hard time. Even though I try my best there’s usually at least one or two albums that get missed – whether because I didn’t have time to listen to them during the course of the year or because I simply forget about them. I try my best to listen to new artists but I also tend to stick to a lot of the same ones, so there’s a lot of familiar names on my list: Frank Turner, Laura Marling, and Mumford and Sons just to name a few. There’s also some new names, though, like Willy Varley, George Ezra, and Halsey. Don’t be too surprised to see a lot of Xtra Mile bands on the list either. One side effect of repping the label is that you tend to listen to a lot of amazing music. And so, without further ado, here are my favorite albums from 2015.

Top Ten Albums

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#1 Catfish and the Bottlemen – The Balcony

Okay so technically The Balcony was released in 2014 but it wasn’t released in the United States until early 2015 when it was put out by one of my favorite record labels – Communion. If you haven’t heard of this band by now it’s time you stopped to give them a listen. The Balcony is only their debut album but it’s a surprisingly solid album for a freshmen release. The Welsh rock band have won the admiration of critics and fans alike, including Ewan McGreggor who became friends with the band after helping them shoot a video for their song “Hourglass”. The entire album is amazing and every time I listen to it I end up putting the whole thing on repeat.

Favorite Tracks: Hourglass, Tyrants, Cocoon, Kathleen

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#2 Frank Turner – Positive Songs for Negative People

As the title suggests, Frank Turner’s sixth studio album, Positive Songs for Negative People contains a mix of optimism and pessimism. “Mittens” is typical Turner song where he laments about a past relationship that “I once wrote you love songs, you never fell in love.” The entire album is a classic example of Turner’s unflinching honesty. Each song rings true even when Turner is being critical of himself and his past relationships. If I had to pick one song that best represents the entire album it would have to be the first single from the album, “Get Better” which proudly proclaims “I’m trying to get better because I haven’t been my best….we can get better because we’re not dead yet.”

Favorite Tracks: Mittens, Josephine, Silent Key, Get Better

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#3 Short Movie – Laura Marling

Some things only get better with age. That seems to be the case with young Laura Marling, who released her fifth studio album this year. Short Movie is the first album to feature Marling on an electric guitar, and the album features a completely new sound and a sense of confidence that is striking in someone so young. The album was released after Marling took a year off from music and traveled around the United States by herself. The experience seems to have left a mark on her for she returned with a fifth album that is more mature, more confident, and louder then any of her previous albums. The album is about a woman learning who she is and accepting herself for that person. “Little boy, I know you want something from me / yes I may be blind but I am free / don’t you try and take that away from me,” she warns on the last track, “Worship Me.” Watch out world. Laura Marling is back and this time she’s taking no prisoners.

Favorite Tracks: False Hope, Short Movie, Walk Alone, Gurdjieff’s Daughter

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Wilder Mind – Mumford and Sons

I think the world as a whole was probably taken aback when the London based quartet announced a new album in 2015 but warned fans ahead of time that would not feature a banjo. Many people only associate the band with their distinctive banjo backed brand of folk that they’ve become famous for. The truth is, however, that the band was ready for a change for their next album and so this time they opted for a sound more grounded in rock than the folk they were previously known for. They may have swapped the banjo for the fiddle (played live by Noah and the Whale’s own Tom Hobden) but the heart and soul of the band remains the same. The faster tracks are probably the band’s strong point but each song on the album is a reminder that the band is back and stronger than ever.

Favorite Tracks: Ditmas, Tompkins Square Park, Just Smoke, Hot Gates

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#4 Blurryface – Twenty One Pilots

Tyler Joseph and Joshua Dun have no concept of genre limiting boundaries. With every song they put out they push the boundary a little further, refusing to be pingeonholed into a traditional genre like pop, rock, or rap. Each song on the album is a different journey with it’s own flavor and sound of it’s own. Blurryface could be considered an anthem for today’s youths – for those who don’t quite fit in or for those who struggle with mental health. It’s an album for the misfits and for people who feel like they are growing up too fast. A lot of people can relate to the songs in some way or another and it’s refreshing to see a young band being open and honest and still be embraced full heartedly by their fans. Despite consisting of only two members the duo put on a fantastic live performance as well, and watching them live you can see their passion first hand.

Favorite Tracks: The Judge, Ride, Tear in My Heart, We Don’t Believe What’s On TV

Honorable mentions

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Glitterbug – The Wombats

Favorite Tracks: This is Not a Party, Your Body is a Weapon, Give Me a Try, Greek Tragedy

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Anthems for Doomed Youth – The Libertines

Favorite Tracks: Gunga Din, Fame and Fortune, The Heart of the Matter, You’re My Waterloo

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Marks to Prove It – The Maccabees

Favorite Tracks: Spit it Out, Something Like Happiness, Marks to Prove It

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Down on Deptford Broadway – Skinny Lister

Favorite Tracks: What Can I Say, Cathy, Trouble on Oxford Street, This is War

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Wanted on Voyage – George Ezra

Favorite Tracks: Budapest, Casey O’, Can You Hear the Rain, Listen to the Rain

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Postcards From Ursa Minor – Will Varley

Favorite Tracks: Talking Cat Blues, Seize the Night, Outside Over There

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Badlands – Halsey

Favorite Tracks: New Americana, Colours, Castle, Ghost

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Woman to Woman – Esme Patterson

Favorite Tracks: Never Chase a Man, Bluebird, The Glow

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Froot – Marina and the Diamonds

Favorite Tracks: Blue, Happy, Savages, Better Than That

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All Your Favorite Bands – Dawes

Favorite Tracks: All Your Favorite Bands, Things Happen, I Can’t Think About It Now

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Whispers II – Passenger

Favorite Tracks: David, Fear of Fear, Nothing’s Changed

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Rolling Up the Hill – Beans on Toast

Favorite Tracks: The Great American Novel, God is a Cartoonist, I’m Home When You Hold Me

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Back on Top – The Front Bottoms

Favorite Tracks: Cough it Out, West Virginia, Help

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To Us, The Beautiful – Franz Nicolay

Favorite Tracks: To Us, The Beautiful, Marfla Lights, Imperfect Rhyme

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Graceland – San Cisco

Favorite Tracks: Run, Snow, Bitter Winter

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New Music // Beans on Toast – “The Great American Novel”

The first time Jay tried to write a song about his time in America it ended up being “too sappy” so he scrapped it and wrote “Fuck You Nashville” instead. His second attempt, “The Great American Novel” manages to find some ground in between those two extremes. “It’s my love letter to America,” Jay explains.

Check out his video for the single, taken off his upcoming album “Rolling Up the Hill” which is out December 1st on Xtra Mile Recordings.

And if you live in America be sure to catch Jay as he tours the US with Skinny Lister and Frank Turner.

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2014 Musical Superlatives

Every January the staff at Lyrically Addicted sits down and tries to hash out the top albums from the previous year. We spend house analyzing and dissecting our favorite albums trying to put them in some kind of order that we can be happy with. But what often gets overlooked in such a process is the individual songs themselves. Maybe we fall in love with a b-side that doesn’t make it onto the album proper, or we stumble upon a live version that’s better than the original. The point is these individual tracks often get overlooked in favor of the albums themselves and we don’t think that’s fair. This year we decided to shine a light on some of these lesser known tracks.

                                 Best B-Side:
Vas’s pick: Fireworks – “Oh, Common Life”

Cherie’s pick: Frank Turner – “Sweet Albion Blues”

                                 Best Cover:
Vas’s pick: Allison Weiss – “Call Your Girlfriend” (Robyn cover)

Cherie’s pick: Gabrielle Aplin – “A Case of You” (Joni Mitchell cover)

                                 Best Acoustic Version:
Vas’s pick: Manchester Orchestra – “Girl Harbor”

Cherie’s pick: Passenger – “Scare Away the Dark”

                                 Best Music Video:
Vas’s pick: The Front Bottoms – “Backflip”

Cherie’s pick: Bombay Bicycle Club – “Luna”

                                 Best Collaboration:
Vas’s pick: Say Anything featuring Los Campesinos – “Judas Decapitation”

Cherie’s pick: Billy the Kid – “This Sure As Hell Ain’t My Life

                                 Best Single:
Vas’s pick: The Menzingers – “In Remission”

Cherie’s pick: Laura Marling – “Short Movie”

                                 Best Live Version:
Vas’s pick: Koji – “Matches”

Cherie’s pick: Beans on Toast – “I Can’t Get a Gig at Glastonbury”

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Frank Turner Release Compilation Album “The Third Three Years”

We just couldn’t wait for Frank Turner’s newest release, The Third Three Years, so we put together a little playlist of our own featuring some of our favorite performances, collaborations, and covers he’s done in the last three years.

The official Third Three Years will be released on November 24th, through Xtra Mile Recordings. They’ve got some pretty cool pre-order bundles, including art prints, photo books, exclusive tees, CDs, so be sure to check them out before they’re gone!

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Frank Turner Discusses Opening For Mineral, Musical Influences, and Which Band He Would Love to See Live

by Vasilis

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Many music fans have a hard time picturing their favorite musicians as music fans themselves. We tend to put these artists on a pedestal and imagine them as rock stars who are above the sort of idol worship that we often demonstrate. However, contrary to that belief, these musicians are no different than us; they love the art of music and grew up admiring a wide ranger of musicians who often became the foundation which helped inspire them to create their music. That feeling doesn’t just go away once a musician becomes popular or well-known. It’s this beautiful cycle that allows the music we connect with so deeply to be created, to continue to influence future musicians who create music that influences a whole new generation, and it’s a wonderful thing to watch. Frank Turner is a musicians who completely shatters the false belief of musicians as being above the fans. Frank conducts himself in a very honest and open manner with his audience; he is just a guy who makes music for a living, one who builds a strong connection with his fans through his lyrics and approachable personality.

Frank is also not one to shy away from the music that inspired him. At shows, he can often be heard covering anyone from Blink-182 to Bruce Springsteen (his “Thunder Road” cover is a staple at his New York City shows). Frank has also made it known that he is a huge fan of 90’s emo group Mineral, whom he described as one of his very “favourite, foundational bands”. When Mineral announced their reunion tour earlier this year, Frank did what any fan would do when presented with a rare opportunity to see such an influential, once-dead band: he bought tickets to their New York City performances and planned a trip without a moment’s hesitation. I was instantly fascinated by his own connection to the band and found it refreshing to see one of my favorite musicians speak so highly of one of his and demonstrate such unbridled passion for their work.

On top of flying out to New York City to catch some of their shows (their first full tour in 17 years), Frank also opened for the first of show. We reached out to Frank Turner via email to ask him about his experience opening up for Mineral last Thursday at St. Vitus Bar in Brooklyn. Frank was kind enough to answer our questions and provide some insight into his experience, some of his other big influences, and which band he would love to see live if given the opportunity. You can check out a full review of the show on Noisey’s blog, as well as Frank’s first-hand experience of the show.

Lyrically Addicted: Thank you for talking the time to speak with us Frank. You called Mineral’s sophomore (and final) album EndSerenading “near-perfect” on Noisey’s blog. Was there any one particular song on that album (or by the band in general) that made you go “wow” on first listen or that really made you connect so strongly with their work?

Frank Turner: Yes, the song “&Serenading”. I remember being a little confused by the record at first (I was about 16), but when that song kicked in, with the chorus line about symphonies in seashells, I was pretty blown away. Once the ice cracked like that, I fell for the rest of the record very quickly.

LA: You had the unique opportunity of opening for a band that meant so much to you on their reunion tour. Can you briefly describe what the experience was like and why you decided to play a set of new songs.

Frank: It was a great experience, one for the obituary. I was pretty jet-lagged and had a nasty cold, so perhaps not on my best form, but I enjoyed the expeirence. I thought I’d play new stuff because I’m working on a new record right now and no one bought tickets to see me play, so it seemed like a good opportunity to try some new stuff out in a live setting.

LA: Was there any particular aspect of Mineral’s music (lyrics, guitar tones, etc.) that really influenced your current sound?

Frank: The whole way Chris [Simpson] sings and writes is a huge influence to me now – the way he uses his voice, both in the physical sense and int he literary sense. I still think that’s probably the biggest influence on me in that area. I also love the production on the second record, I think Mark Trombino’s drum sounds are pretty foundational.

LA: Are there any other bands from the mid-90’s emo era that influenced your music?

Frank: I listened to a bunch of that stuff – Jimmy Eat Wrold, The Promise Ring, Christie front Drive, and so on. Mineral were far and away my favorite of the bunch, but I still listened to a fair amount of Jimmy Eat World.

LA: If you could attend a hypothetical reunion tour for one “dead” band you never had the chance to see live, who would it be?

Frank: Nirvana, circa early 1993.

Thank you to Frank Turner for taking the time to answer our questions. You can catch Frank Turner on the road with Koo Koo Kangaroo in the UK starting Thursday, September 11 in Norwich. For a full list of Frank’s tour dates, go to frank-turner.com/live-gigs. Frank Turner is expected to release his upcoming sixth studio record in early 2015. Mineral continue their reunion tour, which ends in Austin Texas in November, before hitting the United Kingdom in early 2015. You can also check out a full review of Mineral’s Bowery Ballroom show in New York City on our blog.

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Möngöl Hörde / Palehorse / Oxygen Thief June UK Tour

Möngöl Hörde / Palehorse / Oxygen Thief June UK Tour

If you live in the UK don’t forget you can catch Möngöl Hörde on tour this month with special guests Palehorse and Oxygen Thief!

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June 19, 2014 · 12:27 am

Boston Calling: Already a Success in Second Year

by Cherie

New Englanders have a history working hard to overcome all obstacles. We’re fiercely proud of our local heritage and our place in national history. We also love a good success story, and what better example is there than the Boston Calling Music Festival? The festival is only in its second year but it has already integrated itself into the local community with ease. Crash Line Productions, the folks responsible for bring the festival to life, grew out of the ashes of the now defunct Phoenix Media Group, and they aim to breathe life into the music scene. The festival also works closely with many local companies to sponsor the event. Food and beverages were provided by Tasty Burger and Wicked Wines. Official merchandise for the festival was produced by Fenway’s own 47 Brand Entertainment.

Boston Calling prides itself on being “one big party”. It’s a three day event featuring live music from artists representing a wide range of genres. The festival itself is in its infancy; May marks only the second year that the festival has been around and it was the third weekend overall. With that in mind I expected the festival to still be experiencing some growing pains, but I was pleasantly surprised by my experience when I attended the festival in May.

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First of all, the volunteers were absolutely fantastic. The whole setup was well organized and very efficient. Walking in you were first subjected to a wand search and bags were searched as well. After that your ticket was scanned by one person and bracelets were given out by another. Both days that I went it never took more than a couple of minutes to get through security, and re-entry had its own section and went even quicker. IDs were checked at a tent just inside the entrance, and that process took a matter of minutes as well. Not only was the process efficient but the volunteers themselves were all cheerful and pleasant. Just about every single one I encountered said hi and asked how I was. It was a pleasant surprise to encounter such cheerful people working the event. You could tell that everyone wanted to be there and was doing their best to make the festival a good experience for everyone.

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The stage setup was slightly different from last year from what I’ve heard, and I had no complaints with how they were set up this year. With two stages in such close proximity it meant that you were almost forced to watch every single band if you stayed the whole day. Rather than traipsing across large distances you could stake out a spot and get a good view of both stages if you so chose. Festival goers also had the option of leaving the festival and coming back throughout the weekend (with the exception of Friday), which added to the casual vibe of the festival.

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Frank Turner and the Sleeping Souls played Saturday afternoon, and were just one of the many highlights of the festival. Effortlessly drawing in the crowd of 20,000 people, it wasn’t long before the crowd was stomping and dancing around to the music. Frank’s blend of punk rock enthusiasm and upbeat melodies easily had the crowd transfixed from the first chords of “Photosynthesis” which he used to open up his set. Frank has always been known for crowd participation, and chose a fan from the crowd to come up on stage with him to play the harmonica solo in “Dan’s Song.” The young man in question, Tom, came to be something of a local celebrity after his musical debut, and was seen walking around and taking pictures with festival attendees after the set. I think it’s safe to say that this was one concert experience he’ll never forget.

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Another highlight of the festival was seeing indie rock band, The Box Tiger, start things off on Sunday. The band, an up and coming band from Toronto/Portland, ME won a contest by Sonic Bids to perform at the festival, and they put on a fantastic live set. Singer Sonia Sturino’s vocals were perfectly suited to the open air festival. The band played early on in the day but there was a solid supporting crowd there to cheer them on.

Boston Calling might be a young festival, but it’s worked hard to become a reality and it’s already made a name for itself on the festival scene. Most festivals take place somewhere where there’s a lot of open land, but there’s something striking about holding a festival in downtown Boston amidst all the concrete buildings and cobblestone paths. The ability to come and go as you please also adds to the casual vibe of the festival and makes the experience that much more relaxed and enjoyable. Though it’s true that the festival is still trying to work out some kinks, it’s fair to say that it’s already a success and we look forward to the upcoming September dates.

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